We know that we are not dealing with a literal forest, but with an imagined one. Finally, the fox enters into the head and the blank paper of the poet is printed. The poem is about how inspiration comes to him in the form of a fox into his mind and he ultimately inscribes it on the paper. This gives us the impression that the fox is actually searching for something as it is gradually revealing itself. The fox remains half-hidden and elusive throughout the entire poem; the idea, likewise, remains half-hidden to the poet, allowing him only wisps of imagery to contend with.
Ted Hughes is popularly known for the use of animal imagery. He doesn't know what it is that will emerge from the darkness. The Thought-Fox Analysis The Thought-Fox starts on a silent, clear night. The fox is setting footprints between trees very carefully. It is the most important symbol in the whole poem. His main interests are in nineteenth and twentieth-century literature.
Laureate poems were never his forte, but it was a chore which he dutifully carried out. In 1951 Hughes attended Pembroke College with the intention of studying English. In this stanza the rhymes form couplets. Hodhart, Hughes persisted on attending an diminutive amount of classes, lessons, and ceased his poetry writing. We have here a series of images in the poem, from the first line to the last; and every image is a vivid one. She is writing as she remembers it.
This poem is about the composition of the poem itself; in this poem, the poetry manifests itself in an apparent form. I couldn't even remember who wrote it. In his dream he was still sitting at his desk trying to write his paper. There are no stars in the sky; and then the poet perceives something intruding upon his loneliness or solitude. She, too, pursues her ends, Brutal as the stars of this month, Her pale head heavy as metal. It is a fox whose cold, delicately as the dark snow nose touches twig leaf.
Like, silence, loneliness is also necessary to focus on the subject of poem. Still, I find it hard to justify a boring poem. In the next stanza, it happens. The Second World War had pushed it into crushing debt and that, combined with the moral-lowering problem of losing their colonies, led to fewer jobs, and thus to poets whose body of work dealt primarily with the issues of loss of faith and hopelessness. Solitude and silence are, however, only contributory circumstances. The imaginary fox is a symbol of this inspiration which enters the mind of a poet and leaves its footprints in the form of words on a white page. The Thought Fox Analysis Today, I will be telling you about this poem.
All these animals which are kept for amusement fail to attract the people by their laziness. In his mind there are stirrings, something else is alive and very close but it is deep within the interior, perhaps in the subconscious, almost an abstract entity. After a while, the very idea in shape of a poem comes in the mind of person and the page, in front of him, is printed. Now the fox appears on the scene. The blank paper is printed and this is the happiest situation for any poet.
The poem returns to the house. The poet has experience as well as knowledge of writing poetry and through this poem, he shares the same experience and knowledge with his readers. It has come suddenly closer, bearing down upon the poet and upon the reader. But such an investigation would also need to take into consideration a much larger cultural context, and perhaps above all to examine the way in which the Christian ideal of love has itself traditionally been expressed within the medium of violent apocalyptic fantasies. The fox enters the lair of the head as it would enter its own lair, bringing with it the hot, sensual, animal reek of its body and all the excitement and power of the achieved vision. In this poem he uses the extended metaphor of a fox to represent his inspirations and ideas.
His articles are marvelous and attractive. And something else is alive in the imaginary forest. This process beautifully connotes the forming of the thought more clear and concrete. For example, his Moortown poems which began as a journal recording his farming experiences are not at all like the traditional romantic view of nature for which English poets are famous. But the annual image in the title as well as the movement of the symbolic animal in the poem is not only appropriate in its own context but also consistent with Ted Hughes concept of poetic composition which he compared with the capturing of animals: The special kind of excitement, the slightly mesmerized and quite involuntary concentration with which you make out the stirrings of a new poem in your mind, then the outline, the mass and colour and clear final form of it, the unique living reality of it in the midst of the general lifelessness, all that is too familiar to mistake.