While Dee is intelligent and driven, we get the clear sense that her accomplishments have come at the expense of her mother and little sister. The bond that Mother and Maggie share is brought by their common talent to make works of art like quilts. This is in total contrast to what Dee is habituated to do. For this, education and a broad outlook are quintessential. Some readers opine that the narrator knows what it really feels like to have family.
Maggie and Dee are two sisters born to the same mother but have resulted in a complete difference between the two. Maggie is shy and humble and embraces her African-American culture and heritage while her other sister Dee has a problem accepting their culture and heritage. Neither Dee nor Mama has realized that Maggie does have something to offer to the world. However, at the end of the story, she stands her ground and refuses to award Dee with the quilts. Johnson has two daughters Maggie and Dee who have two completely different views of the world and different lifestyles. She is now up to look up into her mother's trunk that rested in her mother's room.
One daughter, Maggie, celebrates her heritage by enjoying and appreciating the use of family heirlooms whereas the other daughter, Dee, feels it is more honorable to display these heirlooms for artistic show. How does one feel about this dependence? This page last updated 03 October 1999. They all gather at the table in the yard for dinner, which the narrator has prepared to perfection. Dee has rejected part of her heritage by refusing to adopt the names of her immediate family members. Inheritance 'Everyday Use', published in 1973, shows how legacy is passed onto the ones who live with it, and not to those who simply read about it. The quilt has been sewn by family hands and used on family beds. Gone are the practicalities that those who came before her had with Dee viewing tradition as being something that she can display in her house.
In her superfluous belief about her strong bonds with the past, she even rechristens herself as Wangero. An Introduction to Literature, 11th ed. Finally, she leaves, and Maggie and Mama, once again, sit in the yard watching Wangero and Hakim-a-barber drive off in the distance. Heritage is family traditions that are passed on from generation to generation. . Her education traumatizes Maggie and Mama just like the fire that burned their house.
This is important as it suggests that Mrs Johnson still sees some practicality in the quilts whereas for Dee they are a sign of her oppressed past. It is crucial to be aware of the backdrop when this story was penned. Dee has forgotten about all of the sacrifices Mama and Maggie have made which have allowed her to enjoy the benefits of her Neo-African-Islamic renaissance. The final decision of which daughter ultimately receives the quilts will be made by Momma Johnson. Walker could be suggesting that to understand the African-American heritage, readers have to include the present as well as the past. Walker uses this conflict to make the point that the use of an object and of people, is more important than style. The benches crafted by the girls' father transported Dee to a bygone era which she has left behind long ago.
In the story, African heritage and knowledge takes a major role. Could the same memories have positive worth of quite different kinds? No, not that kind of fantasy. In fact, after she finished second grade, her school closed down. By what process do the quilts get made? She analyzes the way she has raised them and how much she has cared too much or too little for them, yet most of all how… Symbolic Analysis of Alice Walker's Everyday Use Alice Walker? She said that she would not like to be addressed by the name of her oppressors. Likewise, Maggie is not a beautiful girl. Dee, on the other hand, is defined by her sense of style, and does not seem to do anything.
But the fact was they were both more rooted to their own culture and heritage. This is the point to ponder about. The film, starring Danny Glover, Whoopi Goldberg and Oprah Winfrey, was nominated for 11 Academy Award. Upon her arrival the mother and her other daughter, Maggie, discover some drastic changes in Dee: she has changed her name to Wangero, she also arrived with a mysterious… even within the same family. She declines to use the Dee and changes her name to Wangero without understanding its meaning.
At one point in the story Augusta is mentioned. Mama, who additionally takes the role of narrator, is a lady who comes from a wealth of heritage and tough roots. She has a well-known reputation worldwide from being a novelist, poet, short story writer, activist and feminist. She is pessimistic and negative about her family throughout the story. GradeSaver, 28 August 2014 Web.
How, for example, would it be different if these were made in factories? There was an exchange of heated words between Mama and Dee, when Maggie comes into the room and says that she is willing to give away those quilts to Dee. Permission is granted for non-commercial educational use; all other rights reserved. Walker mainly reflected the plight and agony suffered by African-American women through her writing skills. Dee leaves in a huff with Hakim, throwing out a few last condescending remarks before taking off. Johnson, the narrator of the story is a middle aged African-American woman who has single handily struggled to raise her two daughters while taking care of the household chores.